Binge-Watching This Year's Festive Features: The Hits, The Misses, and The Guilty Pleasures.
‘Tis the time of year to relax on the couch and devour a tin of festive treats in front of a good movie, a bad movie, or one that’s awesomely awful.
As always, a batch of fresh seasonal stories hopes to be part of our holiday traditions—maybe even earning a place alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
So, in a noble effort to distinguish the gems from the coal, and to embrace the Christmas spirit, I watched as many fresh holiday releases as possible in a single day.
First Up: The Jonas Brothers' Holiday Flick
Starting, optimistically, on a high. This is the exclusive 2025 title on a popular review site's list of the greatest 100 holiday films of all time.
The musical trio end up trapped in the UK after finishing their global concert series and must get home for Christmas. Their efforts are thwarted by an evil Santa, who bursts into melody to announce they won’t get home until they “find their sibling bond.”
The banter between the arguing trio is entertaining even for the non-fan, while fans will undoubtedly pick up on lots of easter eggs as they attempt to get back using any means of transport necessary.
It’s private planes, trains and automobiles.
It’s not legendary, but is great for fans and a good start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who must sit through it.
8.45am - Tinsel Town
Hollywood star Kiefer Sutherland has been cast as a movie actor roped into a traditional British stage show.
“A what's a panto??” asks Sutherland’s “temperamental” and aging lead Brad Mack, who has seen better days and whose representative has misled him into thinking he’s appearing in high-class London stage.
His pantomime fellow actors inform him he’s playing Buttons. “Oh no I’m not,” he retorts. One can imagine their response. Unless you’re unfamiliar with traditional stage call-and-response.
There are some great jokes, some touching storylines, and the ensemble is brilliant, too.
It’s the type of film that would be a bit cheesy at another season, but is a highly enjoyable at Christmas.
Festive score: 🎄🎄🎄🎄
10.19am - Christmas Karma
Danny Dyer pops up at the beginning of this film, too, delivering a signature line for the second film in a row. Might this become a fresh holiday staple?
This time, he’s a crooning chauffeur who picks up Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale unfolds as the miserly Mr Sood is visited by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least distinct from all the others, but unfortunately he’s not very charismatic and Nayyar’s acting is lifeless—a major flaw when he’s so the main character.
Holiday verdict: 🎄🎄
Lunchtime: Stuffed
There's just enough time for a major broadcaster's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “doesn’t really do Christmas.”
But after he is awarded an large festive windfall at work, his wife (played by Morgana Robinson) persuades him spending the sum on a holiday to Lapland.
There’s just one snag—he learns there was an error with his bonus, which should have been £800, and he has to determine how to pay back the difference.
Pleasant yet unmemorable.
Christmas tree rating: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those Christmas films where the tree, fairy lights and snow are in the backdrop—Christmas is the environment of the film rather than its main point—but it feels cosy and festive all the same.
Driven corporate star Sydney (starring Minka Kelly) is sent to a French chateau to secure an acquisition for a sparkling wine company. During her travels, she runs into a fellow in a literary haven who promises to show her the holidays in the City of Light.
A critic recently claimed this is the best new Christmas film of the past few years. That’s a bit of a overstatement, but it is a holiday love story with a touch of class and gives the required warm and fuzzy feels.
The scene with a detailed conversation about Die Hard is very good too.
Festive score: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Young Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the attempts of his dad (starring James Buckley) to tell him the reality.
The truth is to be discovered, and Chris embarks on a quest to find it with the guidance of a group of well-known experts and celebrities.
It’s understated but sweet, and perfect viewing while anticipating Santa to visit.
Holiday verdict: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the matriarch of a bickering American family who reunite for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s the premise, but in practice it’s really a mash-up of those forerunner films, at least until Pfeiffer’s character at last finds her strength.
Festive score: 🎄🎄
Formulaic Fun
The day’s gone downhill, but fortunately here’s a new offering in the crowded field of predictable, sentimental, cheesy—and highly entertaining—seasonal comfort food.
It’s a story as old as time: An American woman goes on a quest to a distant snowy land and ends up discovering romance.
In this case, Caprice Bourret plays a publisher